![]() ![]() The process was always done by hand, sometimes using a stencil cut from a second print of the film, such as the Pathécolor process. The first full-length feature film made by a hand-colored process was The Miracle of 1912. Thuillier's lab produced about sixty hand-colored copies of A Trip to the Moon, but only one copy is known to still exist today. Thuillier, a former colorist of glass and celluloid products, directed a studio of two hundred people painting directly on film stock with brushes, in the colors she chose and specified each worker was assigned a different color in assembly line style, with more than twenty separate colors often used for a single film. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth Thuillier's coloring lab in Paris. ![]() The first film colorization methods were hand done by individuals. ![]() See also: List of early color feature films ![]()
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